June 24, 2009

Pyramid Breweries

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More fresh work from San Francisco based Voicebox Creative:

"Pyramid Breweries is the eleventh largest brewer in the U.S. and enjoys a stellar reputation for creating award-winning, handcrafted ales and lagers. The Pyramid brand, however, had not evolved or developed a compelling story to connect with younger new consumers. Pyramid’s new owners seized an opportunity to reenergize the brand by redefining its positioning, refreshing its brand identity and revitalizing its packaging design to reflect the active, dynamic urban environments where Pyramid brews its variety of year round, seasonal and specialty beers.

Pyramid’s new packaging design establishes a cohesive and flexible system that delivers a powerful shelf presence while easily accommodating future brand extensions. Custom, posterized illustrations of dynamic young urban adventurers are framed through a pyramid “window”, while vibrant, saturated colors and bold type treatments define year round styles and seasonal offerings. "

Continue reading "Pyramid Breweries" »

Clover Farmstead

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New work from Voicebox Creative:

"Voicebox had previously created Clover’s Organic Farms packaging, so our existing brand  
knowledge was complemented by a comprehensive competitive review of the European-style  
butter category and a visit to Clover’s supply partner’s small organic dairy farm to learn the 
boutique butter-making process firsthand. This led Voicebox to recommend that Clover create an entirely new product tier to enable the company to showcase the handmade, small-batch nature of the products while offering future product expansion opportunities.

From the earlier packaging audit, Voicebox observed that most butter makers use foil and/or wax parchment as the packaging medium. Clover Farmstead required something different that could provide maximum shelf impact. Various new and unique packaging form factors were sourced before a ceramic crock was selected for its old-world appeal. Voicebox collaborated with the ceramic vendor on several rounds of prototypes to finalize production of the circular vessel in a natural cream-color,  with a 
matching “Clover Farmstead” embossed lid. Adhesive labels were then designed for the first two butter products. The front label, a proprietary octagonal shape with an embellished border, contains a woodcut-like sketch of a dairy cow and pail as the focal point with “Artisan” and “Product” on either side with scroll-like details. The Clover mark remains in its proprietary treatment to endorse the new brand and provide a link to the other Clover product tiers, but in brown to complement the natural color palette. “Farmstead” is shown in a larger white serif font with a brown drop shadow below to support and balance the brand mark and prevent it from looking heavy. A complementary rectangular back label contains descriptive copy and is anchored by Clover’s “Clo the Cow” icon, adding another link to the Clover product family. As a finishing touch, Voicebox sourced a vendor to create a custom-dyed brown ribbon to tie around the crock lid for a compelling and distinctive presentation that helps communicate a back-to-the-farm message that is simultaneously accessible and refined. 

The design and packaging is very eco-friendly. You buy the filled crock once (it retails at upscale grocers like Andronico's and Whole Foods for $12.99-$13.99) and then buy only refills thereafter. This cuts way down on packaging. Plus, the pressure sensitive label peels off easily and leaves no residue, so the crock looks great on your counter and will keep the butter cool, fresh and spreadable."

Apis Honey

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Designed by Gina Demm, a student at the Art Institute of Minnesota. She was awarded AIGA's 2009 scholarship to her for best portfolio:

"Three different honey products were packaged using a honeycomb pattern for the boxes and a brand name that reveals a clue about the product's origins. Out of 20,000 known species of bees, honey bees represent a small fraction, but only members of the genus Apis are true honey bees."

Continue reading "Apis Honey" »

Kaffe

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Designed by Felix Lobelius:

"Kaffe is a coffee shop started by 4 swedes. The handwritten charcoal aesthetic derives from the personal connection every person has with their type of coffee. This is reflected in a direct style of communication with business cards, bags, take away cups ect. personally adressing the customer."

June 23, 2009

Advice from the Pros: Peter Clarke, Product Ventures

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When I entered the field of packaging design some 20 years ago there were few, if any, examples of packaging like the ones we see today.  The small number of iconic packages at the time existed in low-volume, high-margin categories such as beauty care and spirits. Within food and beverage, personal care and fabric & home care, packaging was viewed as an expense and not as a value-added brand ambassador.  Though packaging’s importance to the brand has made great strides, the struggle over cost continues, as unrealistic timelines and naïve expectations are driven by the short tenure of marketing leadership and lack of long term strategic packaging vision. 

Early on in my career as an industrial designer, I saw the potential for packaging to make a significant contribution to brands and to the people that use them.  I clamored for the opportunity to apply my training in styling, ergonomics, and materials & processes to turn the mundane into the iconic, annoyance into pleasure, and the useless into the essential.  This led to the founding of my company, Product Ventures 15 years ago, with the goal of turning labeled containers into value-added delivery systems.  Since then I have continually been honored to help many notable companies with their best known brands.  

 Product Ventures’ design for the Duracell® Easy Tab™ package empowered people to change their own hearing batteries, enabling them to wear their hearing aids without worrying about the batteries failing.  We were able to assist Procter and Gamble with its moment in historyMain as Folgers® forever relinquished the coffee user of the burden of can openers by providing a blow-molded canister with a value-added handle.  For Heinz® we brought back the heritage of the Heinz® glass ketchup bottle facets to an optimally proportioned large volume ketchup bottle that best fits people’s hands and the fridge.  The Fridge-Fit™ packaged increased consumption, penetration and now Heinz® is selling more ketchup and less packaging which is good for the business and the environment.  Our redesign of the International Delight ® coffee creamer package is a great example of the impact that packaging can make for the business, the consumer and the environment.  By addressing the multitude of manufacturing, consumer experience and brand communication factors, the new creamer package now visually fits the International Delight ® promise— is functionally superior to the competition, maximizes shelf pack out for the retailer, surmounts major production challenges, and netted savings in production costs and environmental savings equivalent to taking roughly 2500 cars off the road nationwide per year.  

The typical packaging challenge can be fraught with conflicting needs.  To be successful, you must have a proven process that is user driven and business aligned.  Often the business objectives of low cost and efficiency may be at odds with the brand’s objectives to stand out on the shelf and enhance the usage experience.  The integration of consumer learning early in the process is key and must continue often through the discovery, design and development of packaging solutions.  Another important factor is to conduct a thorough assessment of manufacturing capabilities to identify the inherent opportunities and restrictions within the reality of cost-effective manufacturing systems.  Too often clients withhold this information for fear of hampering creativity.  It has been my philosophy that “true” creativity happens within constraints.  Without “real world” constraints you’re left with “pie in the sky” nonsense that will never enhance people’s lives because it doesn’t hit the sweet spot between what a consumer desires and can afford and the business can make for a profit. 

Today’s most talented package designers are able to navigate these complex issues and offer a range of possibilities to aid business in doing the right thing.  To make a positive contribution requires careful consideration, analysis and resolution of many complex factors within manufacturing & distribution, product containment & protection, brand communication & shelf impact,  the usage experience, and environmental impact.  When evaluating what constitutes good package design, it is important to look beyond the label and appearance and consider its purpose.  Did it achieve what it was meant to do?  Is it an effective tool for people and the business? The true art of packaging design may very well be in the systematic processing of the myriad of details along with the high stake challenges that go into creating the perfect package. 

Peter Clarke is a visionary entrepreneur who founded Product Ventures 15 years ago to create the ultimate strategic creative agency for the research, design and development of manufactured goods. His passion for excellence and dedication to helping shape products and packaging to enhance consumers’ lives have garnered Clarke enormous recognition throughout the industry. As CEO of his company, Peter has been honored throughout the years to help many notable clients  change the course of their business and to ultimately achieve enormous success including Procter and Gamble, Nestle and Novartis, among many others. Peter Clarke is frequently profiled in the media, as well as a sought-after thought leader and industry commentator. 

Le Whif: Inhaled Chocolate

Le Whif is a new way of eating chocolate - by breathing it!
Check out the company here.

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Designer Spotlight: Juan Pablo Reverter

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A beautiful selection of work sent in to us by Juan Pablo Reverter, a designer in Mexico City:

"I’ve worked as a Creative Director, Senior Designer & Head of Illustration Department in firms such as Landor Associates, Media Branding and JDL associates with over 7 years of packaging, Illustration, print, branding, strategy, and brand experience design. I've also worked directly with key clients, such as Danone, Frito Lay, Philip Morris, Colgate Palmolive, Nestle, Grupo Modelo, Pernod Ricard, Grupo LALA among others."

More images after the jump.

Continue reading "Designer Spotlight: Juan Pablo Reverter" »

T Pyramids

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Phil Wareing has designed an individual pyramid tea bag packing for a restaurant/cafe in the Netherlands.

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